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Platform (mensole) on which was used to place the metal antennas that passed through the frame (cornice) that supported the big curtain
Arch without number above which it was imagined the bridge that gave the entrance from the Cesarean factories of the Esquiline to the amphitheater
Arches of first order of the amphitheater, through which the people climbed to their level for the performances
Engraved numbers on the same arches, maybe to signal for who would want to come back among the mass of spectators
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