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Technical Language

Architect: A skilled professor of the art of building, whose business it is to prepare the plans of edifices, and exercise a general superintendence over the course of their erection.

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Architecture: The art or science of building or construction edifices of any kind for human use. 

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Archaeologist: An expert or specialist in the study of past peoples, societies, and cultures through the excavation, recording, and analysis of their material remains; a person who carries out archaeological excavation or research.

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Engraving: Term applied in its broadest sense to the various processes of cutting a design into a plate or block of metal or wood, and to the prints taken from these plates or blocks (see print for a classification of these processes). In everyday usage, the term more usually applies to one of the processes, known more technically as line engraving. In a different sense, the term ‘engraving’ is applied to the incising of designs on stone, especially in prehistoric art.

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Burin: The engraver's principal tool, consisting of a short steel rod mounted in a rounded wooden handle. Usually the rod is lozenge-shaped in section, cut obliquely at the end to provide a point. The handle is pushed by the palm of the hand while the fingers guide the point.

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Die: The matrix upon which an engraving is made; usually made out of steel and thicker than plates.

Key Figures

Antoninus Pius: (AD 86–161), Roman emperor, was born Titus Aurelius Fulvus Boionius Arrius Antoninus at Lanuvium, near Rome, on 19 September ad 86, the only known child of Titus Aurelius Fulvus and Arria Fadilla. 

 

Augustus Caesar: AKA Octavian, or Gaius Julius Caesar Octavianus; born 63 BCE and died 14 CE, the first Roman emperor, following the republic, which has been finally destroyed by the dictatorship of Julius Caesar, his great-uncle and adoptive father. 

 

Caius Cestius: AKA Gaius Cestius Epulo, a magistrate and member of one of the four great religious corporations in Rome, the Septemviri Epulonum. 

 

Cardinal Alessandro Albani: Italian churchman, collector, and art patron, a major figure in the art world of Rome for half a century. He came from a distinguished family that included several cardinals and also Pope Clement XI (his uncle), but he led a worldly life and was notorious for his lucrative dealings in the art market, not hesitating to have antique sculptures heavily restored if it made them sell better. His own superb collection of such sculpture (much of which is now in the Glyptothek in Munich) was housed in an impressive villa he had built in Rome (now called the Villa Torlonia); the decoration included Mengs's famous ceiling painting Parnassus (1761), one of the key works of Neoclassicism. Albani also had a notable collection of drawings, which he sold to George III in 1762 (see Royal Collection). Winckelmann was Albani's friend and protégé. 

 

Constantine the Great: Constantine I [Flavius Valerius Constantinus; known as Constantine the Great] (272/3–337), Roman emperor, was born at Naissus (modern Niš in Serbia) on 22 February 272 or 273. 

 

Diocletian: AKA Gaius AurelIus Valerius Diocletianus; born 245 CE and died 316 CE; a Roman emperor who restored efficient government to the empire after the near anarchy of the 3rd century, whose reorganization of the fiscal, administrative, and military machinery of the empire laid the foundation for the Byzantine Empire in the East and temporarily shored up the decaying empire in the West. The last major persecution of Christians occurred during his reign. 

 

Francesco Ficoroni: An Italian connoisseur and antiquarian in Rome closely involved with the antiquities trade. Author of numerous publications on ancient Roman sculpture and antiquities, guides to the monuments of Rome and the city’s ancient topography, and on Italian theater and theatrical masks. 

 

Julius Caesar: AKA Gaius Julius Caesar (100–44 BC), politician, author, and military commander, was born on 13 Quinctilis (July) 100 bc, probably at Rome, the son of Gaius Julius Caesar, a patrician of old but recently undistinguished family whose brother-in-law was Gaius Marius, and Aurelia, probably daughter of Lucius Aurelius Cotta (consul in 119 bc).

 

Lucius Arruntius: Born before 27 BCE and died 37 CE, was a Roman senator who lived throughout most of the reigns of the first two Roman emperors, Augustus and Tiberius. Appointed consul in 6 CE and then governor of Hispania Tarraconensis around 25 CE. 

 

Lucius Septimius Severus: Roman emperor from 193 to 211.

 

Lucius Tarquinius Superbus: the legendary seventh and final king of Rome, reigning 25 years until the popular uprising that led to the establishment of the Roman Republic, said to have gained the throne through the murders of both his wife and his elder brother, followed by teh assassination of his predecessor, Servius Tullius. His reign has been described as a tyranny that justified the abolition of the monarchy. 

 

Marco Emilio Lepido: Roman politician born 90 BCE and died 13 BCE. Member of the second triumvirate with Octavian and Marc Anthony, succeeded Caesar as the last pontiff of the Roman Republic. 

 

Marcus Aurelius: Caesar Marcus Aurelius Antoninus Augustus, born 121 and died 180 CE, best known for his Meditations on Stoic philosophy, and a prominent symbol of the Golden Age of the Roman Empire. 

 

Narsete: a Byzantine general born in Armenia in 478 CE and died in Rome in 574 CE. KNown for having completed the conquest of Italy initiated by Belisarius under Justinian. Ruled Italy on behalf of the Emperor, but was eventually replaced by Longinus 

 

Nero: Fifth Roman Emperor and final emperor of the Julio-Claudian dynasty; reigned from 54 CE until his death in 68 CE. Ordered the construction of Roman amphitheaters, and promoted athletic games and contests.

 

Pope Alessandro VI (Pope Alexander VI): Born 1431 in Spain and died 1503 in Rome. He patronized the arts, but his neglect of the spiritual inheritance of the church contributed to the development of the Protestant Reformation. 

 

Paolo V (Pope Paul V): Head of the Catholic Church from May 1605 to January 1621. Financed the completion of St. Peter’s Basilica and improved the Vatican Library. 

 

Pope Sixtus V (Sisto V): head of the Catholic Church from April 24 1585 to his death on August 27 1590. Introduced an urban reform program that included the completion of the dome of St. Peter’s, repairs to the Quirinal, Lateran and Vatican palaces, as well as the appropriation of antiquities. 

 

Principe Aldobrandini: A member of the Aldobrandini family, a wealthy Italian noble family originally from Florence, now resident in Rome and with close ties to the Vatican. 

 

Servius Tullius: The legendary sixth king of Rome, and the second of its Etruscan dynasty, reigning from 578 to 535 BCE. Traditionally credited with the institution of the Compitalia festivals, the building of temples to Fortuna and Diana and, less plausibly, the invention of Rome’s first true coinage. 

 

Urbano VIII (Pope Urban VIII): born 1568 and died 1644 CE, was elected pope in 1623. His pontificate coincided with the Thirty Years’ War. 

 

Vitruvius: Marcus Vitruvius Pollio (c. 90-c. 20 BCE) served as a Roman military engineer and architect for Julius Caesar between 58 and 51 BCE. He wrote De Architectura (On Architecture), a treatise that “combines the history of ancient architecture and engineering with the author’s personal experience and advice on the subject.” 

Architectural Language

Ambulacrum: An architectural word that denotes an atrium, courtyard, or parvise in front of a basilica or church that is surrounded by arcades or colonnades, or trees, and which often contains a fountain. It also can denote a walking bath that trees delineate. 

 

Amphitheater: In Classical History, an oval or occasionally circular building with a central open space or arena surrounded by tiered seating, used for public entertainments and spectacles. 

 

Aqueduct: Conduits constructed throughout Rome’s republican and imperial periods that brought water from outside sources into cities and towns. 

 

Arcuation: The use of the arch in building; arched work. 

 

Armory: A place where arms are kept; an arsenal. 

 

Atrium: A large open-air or skylight-covered space surrounded by a building. A common feature in Ancient Roman dwellings, providing light and ventilation to the interior. 

 

Barracks: Usually a group of long buildings built to house military personnel or laborers. 

 

Basilica: In Ancient Roman architecture, a large public building with multiple functions, typically built alongside the town’s forum. Typically large rectangular buildings with a central nave flanked by two or more longitudinal ailes, with the roof at two levels, being higher in the center over the nave to admit a clerestory and lower over the aisle-sides. In late antiquity, church buildings were typically constructed with a basilica’s architectural plan. 

 

Bastion: Defensive projection, usually canted on plan and with battered sides, at an angle of a fortress from which the ground in front of the ramparts may be viewed and raked with fire. 

 

Buttress: Exterior support, usually of masonry, projecting from the face of a wall and serving either to strengthen it or to resist the side thrust created by the load on an arch or a roof. 

 

Cavedi (Cavaedium): The central hall or court within an Ancient Roman house, often synonymous with atrium. 

 

Cella: The inner chamber of an ancient Greek or Roman temple in classical antiquity. 

 

Compluvium: A space left unroofed over the court of a dwelling in Ancient Rome, through which the rain fell into the impluvium or cistern.

 

Corinthian Column: The most ornate, sleek and slender of the three Greek orders of architecture; they are distinguished by a decorative bell-shaped capital with volutes, two rows of acanthus leaves and an elaborate cornice. In many instances, the column is fluted. 

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Emplecton: A method of building or a type of masonry consisting of a double external wall of close-fitting stonework or brickwork, with a core of rubble and mortar or rubble and clay, sometimes also incorporating cross walls or blocks used for reinforcement and to bind the faces together. 

 

Facade: The face or front of a building towards a street or other open place, esp. The principal front. Also of an architectural design concerned with elegance, etc., in the facade of a building alone. 

 

Feritoie: AKA embrasure; an opening in a battlement between the two raised solid portions, referred to as crenel or crenelle in a space hollowed out throughout the thickness of a wall by the establishment of a bay. This term designates the internal part of this space, relative to the closing device, food or window. In fortification this refers to the outward splay of a window or arrow slit on the inside. 

 

Frieze: In the classical architecture of Ancient Greece and Rome, a frieze is a long and narrow sculptural band that runs along the middle of an entablature, used for decorative purposes. It sits on the top of the column capitals, in between the architrave on the lowest level and the cornice at the top. 

 

Impluvium: a low basin in the center of a household atrium, into which rainwater flowed down from the roof through the compluvium. 

 

Keep: Strongest portion of the fortification of a castle, the place of last resort in case of siege or attack. It was either a single tower or a larger fortified enclosure.

 

Lintel: Post and lintel is a building system where strong horizontal elements are held up by strong vertical elements with large spaces between them. This is usually used to hold up a roof, creating a largely open space beneath, for whatever use the building is designed. The horizontal elements are called lintel, and the supporting elements may be called columns or posts. 

 

Loggia: A covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room.

 

Marmol: Marble, granular limestone or dolomite that has been recrystallized under the influence of heat, pressure, and aqueous solutions. 

 

Mausoleum: A large, sepulchral monument, typically made of stone, that is used to inter and enshrine the remains of a famous or powerful person. 

 

Milliarium: A stone that was placed alongside Roman roads. Such stones were used from about the 3rd century BCE. They marked the distance between two towns, and were placed at intervals of one Roman mile. 

 

Obelisk: a tall, four-sided, narrow tapering monument which ends in a pyramid-like shape or pyramidion at the top. Ancient obelisks are monolithic, that is, consisting of a single stone.

 

Oecus: Hall or large room in a Roman house, usually with columns around the interior, like an atrium without compluvium or impluvium. (Oxford Reference)

Parapet: A dwarf wall or heavy railing around the edge of a roof, balcony, terrace, or stairway designed either to prevent those behind it from falling over or to shelter them from attack from the outside. During the Roman era, they were often formed of large slabs of marble pierced with holes, forming a pattern of squares and diagonals. 

 

Portico: Colonnaded porch or entrance to a structure, or a covered walkway supported by regularly spaced columns. Formed the entrances to ancient Greek temples. 

 

Rampart: Thick wall in fortifications for defense, with a walkway or platform on top for the defenders, and a battlemented parapet. Also a defensive mound of earth, with an inclined slope on the outside, its top flat and wide enough for guns and troop-movements, protected by a parapet. 

 

Reticulate work: In Latin opus reticulatum; a facing used for concrete walls in Roman architecture from about the 1st century BCE to the early first century CE. They were built using a small pyramid shaped tuff, a volcanic stone embedded into a concrete core. 

 

Sepulcher: A tomb or burial-place, a building, vault, or excavation, made for the interment of a human body. 

 

Stucco: Fine exterior or interior plasterwork used as three-dimensional ornamentation, as a smooth paintable surface, or as a wet ground for fresco painting. 

 

Tablinum: In Roman architecture, a tablinum was a room generally situated on one side of the atrium and opposite to the entrance; it opened in the rear onto the peristyle, with either a large window or only an anteroom or curtain. 

 

Travertine: A white or light-colored concretionary limestone, formed by the precipitation of calcium carbonate from springs, or from ground or surface water; esp. A hard, dense variety used as a building material.

 

Vestibule: The anteroom or entrance hall to a larger space such as an apartment or building (in Latin vestibulum was a court in front of a Roman house with access to the street on one side). 


Villa: A Roman villa was typically a farmhouse or country house built in the Roman Republic and the Roman Empire, sometimes reaching extravagant proportions.

Key Places

Antonine Baths: AKA Baths of Carthage; located in Carthage, Tunisia, they are the largest set of Roman thermae built on the African continent and one of the three largest built in the Roman Empire. They are the largest outside mainland Italy. They were built during the reign of Roman Emperor Antoninus Pius and were founded between 145 and 162 CE. 

 

Arch of Titus: A 1st century CE honorific arch, located on the Via Sacra, Rome, just to the south-east of the Roman Forum. Constructed in 81 CE by the Emperor Domitian shortly after the death of his older brother Titus to commemorate Titus’ official deification and the victory of Titus together with their father, Vespasian, over the Jewish rebellion in Judaea. 

 

Capitoline Hill: Between the Forum and the Campus Martius, one of the Seven Hills of Rome. 

 

Colosseum: AKA Flavian Amphitheater, a giant Roman amphitheater built in Rome by the Flavian emperors between 70 and 82 CE. The Colosseum is a free-standing structure of stone and concrete measuring 620 by 513 feet. 

 

Esquiline Hill: One of the Seven Hills of Rome. 

 

Piazza del Popolo: AKA “People’s Square;” built over a period of 300 years as a ceremonial entryway to Rome, and possesses elements that are diverse in style and range (13th century BCE–19th century CE). In 1589 Pope Sixtus V punctuated the piazza’s center with an obelisk (13th century BCE) brought by the emperor Augustus from Heliopolis in Egypt to the Circus Maximus. 

 

Roman baths: designed for bathing and relaxing and were a common feature of cities throughout the Roman empire. Included a wide diversity of rooms with different temperatures, as well as swimming pools and places to read, relax, and socialize. 

 

Rostra: A large platform built in the city of Rome that stood during the republican and imperial periods. Speakers would stand on the rostra and face the north side of the comitium towards the senate house and deliver orations to those assembled in between. 

 

Vatican Palace: Papal residence in the Vatican North of St. Peter’s Basilica. 

 

Viminal Hill: Smallest of the Seven Hills of Rome. 


Wall of Rome/Aurelian Walls: A line of city walls built between 271 CE and 275 CE during the reign of the Roman emperors Aurelian and Probus. Superseded the earlier Servian Wall built during the 4th century BCE.

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The Oxford Architecture Dictionary, Oxford English Dictionary, and Encyclopedia Britannica are the sources used for these definitions

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